ECARTICO
Linking cultural industries in the early modern Low Countries, ca. 1475 - ca. 1725

Jacob Pietersz. Roman

Portrait
Name:Jacob Pietersz. Roman
Name variants:Jacobus Roman
Gender:male
Born:Den Haag
Died: circa
Father:Pieter Roman (1607 - 1670)
Mother:Christina Pieters (? - 1680)

Marriage:

Child:

Occupations:

Occupational addresses:

Attributes

Category Attribute Value Date startDate end
Identity MottoIn alles hout maet
Religion DenominationReformed

Relations

Relation Modifier Date startDate end
Artistic
courtly client of Willem van Oranje-Nassau III, alias: Willem III
courtly client of Friedrich I. von Preußen, alias: Friedrich I von Brandenburg
Friendship
contributed to the album amicorum of Petrus Schenck I, alias: Peter / Pieter
Housing
landlord of Johannes Hanart, alias: Hannaert

References

External biographical records

Primary sources

  1. Bredius, A., Künstler-Inventare, Urkunden zur Geschichte der holländische Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts (8 vols.), Den Haag: Nijhoff (1915-1922). <URL: http://digi.ub.uni-heidelberg.de/diglit/bredius1915ga>, volume 5: 1719-1732 & volume 7: 184-185

Secondary sources

  1. Thieme, Ulrich & Becker, Felix, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, Band 28, Leipzig: Engelmann (1934), 541-543
  2. Fock, C. Willemijn, 'Jacob Roman en zijn relatie tot de Delftse regent Pieter Teding van Berkhout', Oud Holland 124 (2011), pp. 185-208. <URL: https://www.jstor.org/stable/23802048>
  3. Vermeulen, F.A.J., Handboek tot de geschiedenis der Nederlandsche bouwkunst (3 vols.), 's-Gravenhage: Martinus Nijhoff (1928-1941), volume 3: 457-458
  4. Garconius, Maureen, Adriaen Rooman (1590-1649) - Leven en werk, (ongepubliceerde masterscriptie UvA 2019). <URL: https://scripties.uba.uva.nl/search?id=703950>, 14, 15
  5. Moes, E.W., 'Korte mededeelingen over Nederlandsche plaatsnijders, IV. Een "Album Amicorum" van Petrus Schenck', Oud Holland 22 (1904), pp. 146-154. <URL: https://archive.org/details/gri_33125006108027/page/n163/mode/2up?view=theater>, 147-148